Keira Knightley and Steve Carrell master the nervous smile. |
However, even though the plot is predictable, there are moments when the screenplay simply comes alive. Knightley gets all the best lines, one of my favourites being "I promise not to steal anything if you promise not to rape me". And the sheer randomness of some of their encounters on the road trip are wonderful. After hitching a ride with a bearded man who hired an assassin to finish himself off, they arrive at a diner where the staff have descended into a strange drug induced sexual orgy. Throughout the film Dodge carries a small dog he's inherited while Penny clings on to her record collection (I admit a bit of Florence would make the end of the world a lot easier for me).
Although Carrel gets a little boring at times (you feel he's been playing the same role for the entirety of his acting career, from my brief knowledge of his other work he probably has), his presence is essential to stop the film spiralling off into cloud cuckoo land. And he's the perfect match for Knightley, who provides the fireworks with cute eccentricities and frequent emotional breakdowns. In fact after this I've almost forgiven her for the various Pirates of the Caribbean films and the strange thing she did with her jaw in A Dangerous Method.
The director is someone you will have never heard off (Lorene Scafaria), who also wrote the movie. The reason you'll have never heard of her is that this is her first directing role, although bizarrely she was involved in another project called Nick and Nora's Infinite Playlist (which seems to be essentially the same, other than the fact that everyone doesn't die in the end) where she wrote the script, acted and wrote a song called The Twelve Gays of Christmas. She sounds just about as unhinged as Penny. Considering this is her first stab at directing, she's done an admirable job. The film is sleek, there are no awkward moments (a rarity in slightly 'indie' films, one of the shots always lingers too long or we go too long without dialogue), and despite it's flamboyant moments, it remains this side of sanity (which is more than can be said for the last film I reviewed: In Memory of My Father, although this is the same mix of outrageous humour and occasional poignancy).
What's even more delicious is that the end of the world seems to have turned many of the characters philosophical. The film invites us to question how we would react when faced with the end, and it questions if what we value holds any meaning if we're all shortly going to die. There are the predictable riots and suicides, but in a way we're led to believe that a little anarchy is good for us, the breakdown of order is presented as liberating rather than as some Hobbesian nightmare (hence why it's a feel-good film and not one to slit your wrists too). And Dodge and Penny are a wonderful pairing, and it's a shame to see them incinerated with the rest of the Earth. But such is life.
Rating: 7/10
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